Sarah Scout Presents - Media Feed

Claire Lambe, Ma femme au chat ouvert, 2017

Claire Lambe

Ma femme au chat ouvert, 2017

Bronze

90 x 75 x 75 cm

Edition of 2 plus AP

Tony Garifalakis, Untitled #24 from the series Mob Rule (Family), 2014

Tony Garifalakis

Untitled #24 from the series Mob Rule (Family), 2014

Enamel on C-type print, framed

60 x 40 cm

Edition of 2 plus AP

Tony Garifalakis, Untitled #22 from the series Mob Rule (Family), 2014

Tony Garifalakis

Untitled #22 from the series Mob Rule (Family), 2014

Enamel on C-type print, framed

60 x 40 cm

Edition of 2 plus AP

Tony Garifalakis, Untitled #8 from the series Mob Rule (Family), 2014

Tony Garifalakis

Untitled #8 from the series Mob Rule (Family), 2014

Enamel on C-type print, framed

60 x 40 cm

Edition of 2 plus AP

Tony Garifalakis, Untitled #12 from the series Mob Rule (Family), 2014

Tony Garifalakis

Untitled #12 from the series Mob Rule (Family), 2014

Enamel on C-type print, framed

60 x 40 cm

Edition of 2 plus AP

Lou Hubbard, Poof, 2005

Lou Hubbard

Poof, 2005

Found book, baby bottle teats, plate stand

11 x 19.5 x 12 cm

Bryan Spier, Reverservation, 2020

Bryan Spier

Reverservation, 2020

Acrylic and varnish on archival card

18 x 14 cm
SOLD

Bryan Spier, The mirror crack'd, 2020

Bryan Spier

The mirror crack'd, 2020

Acrylic and varnish on archival card

21 x 17 cm
SOLD

Emmanuel Rodriguez-Chaves, Sin titulo/Untitled, 2016

Emmanuel Rodriguez-Chaves

Sin titulo/Untitled , 2016

Oil on canvas

35.5 x 30 cm

FIona Abicare, A bowl of eggs, 2016

FIona Abicare

A bowl of eggs, 2016

Serpentine column; Ultra Cal 30 (gypsum cement), patinated bronze, stainless steel fitting

108.5 x 22 cm diameter

Edition of 2 + AP

Fiona Abicare, Warren Beatty and Desert Eyes (Black), 2016/20

Fiona Abicare

Warren Beatty and Desert Eyes (Black), 2016/20

Canteen; patinated bronze

47.5 x 32 x 22 cm

Edition of 2 plus AP

Fiona Abicare, Overexposures, 2016

Fiona Abicare

Overexposures, 2016

Credenza; Victorian Ash, ClayShay

83.2 x 72.5 x 62 cm

Fiona Abicare, America in the dark, 2016

Fiona Abicare

America in the dark, 2016

Credenza; Victorian Ash, ClayShay

83.2 x 72.5 x 63 cm

Fiona Abicare, Suspects, 2016

Fiona Abicare

Suspects, 2016

Vintage Halston robe c.1978-82 (modified), cotton velvet, tooling polyester, mannequin armature

Dimensions variable

Fiona Abicare, Rosebud, 2016

Fiona Abicare

Rosebud, 2016

Vessel; patinated bronze

31 x 23 cm

Edition of 2 plus AP

Fiona Abicare, Warren Beatty and Desert Eyes (Rouge), 2016

Fiona Abicare

Warren Beatty and Desert Eyes (Rouge), 2016

Canteen; patinated bronze, stainless
steel fitting

47.5 x 32 x 22 cm

Edition of 2 plus AP

Fiona Abicare, Silver Light, 2016

Fiona Abicare

Silver Light, 2016

Flower frog; patinated bronze

31 x 23 cm

Edition of 2 plus AP

Fiona Abicare, Serpentine moon lounge for Roberto, 2019

Fiona Abicare

Serpentine moon lounge for Roberto, 2019

Seaspray Cavalli, timber frame, upholstery foam / dacron

300 x 150 x 91 cm

Fiona Abicare, Roberto Cavalli apparel circa 1991, 2019

Fiona Abicare

Roberto Cavalli apparel circa 1991 , 2019

Lifecast – Forton, stone paint, cotton denim, leather boots

100 x 21 cm

Fiona Abicare, Drawer 1, 2019

Fiona Abicare

Drawer 1, 2019

Reclaimed Victorian Ash sourced from 29 Railway Place in Fairfield (hinge factory), white wash, cutlery servers in the style of Cavalli, coral, Manganese brass, rose earrings, graphite resin, enamel, urchins, bronze enamel
Bottom left: (White) ‘Spatangidae’ sea urchin, species Maretia planulata, author Lamarck 1816, Phillipines, Cebu. Liloan. Diver collected at 22-15m deep on sand
Bottom right: (Mid Blue) Echinolampadididae sea urchin, species Conolampas, author Mortensen 1946, locality Balicasag Island Bohol Phillipines, collected by fisherman in tangled nets, depth of 200-350m
Top centre: (Pistachio) ‘Temnopleuridae’ sea urchin, species Holpneustes perpexus, author Agassiz 1846, locality - Eyre Peninsula, South Australia back beach, diver collected during beach drift
Lifecast: Forton, stone paint, stainless steel pins

138 x 80 x 12.5 cm

Fiona Abicare, Drawer 2, 2019

Fiona Abicare

Drawer 2, 2019

Reclaimed Victorian Ash sourced from 29 Railway Place in Fairfield (hinge factory), white wash, cutlery servers in the style of Cavalli, driftwood, Manganese brass, Lifecast: Forton, resin/cloth, stone paint, Cavalli cotton cardigan, stainless steel pins

73 x 136 x 12.5 cm

Fiona Abicare, Barn door 2, 2019

Fiona Abicare

Barn door 2, 2019

Reclaimed Victorian Ash sourced from 29 Railway Place in Fairfield (hinge factory), white wash, cutlery servers in the style of Cavalli, manganese brass, pewter, resin

239 x 152.0 cm

Fiona Abicare, Slip cover couch for Rachel, 2019

Fiona Abicare

Slip cover couch for Rachel, 2019

Seaspray Cavalli, timber frame, upholstery foam/dacron

Fiona Abicare, Monster bench and wheel, 2019

Fiona Abicare

Monster bench and wheel, 2019

Reclaimed Victorian Ash sourced from 29 Railway Place in Fairfield (hinge factory), white wash, steel pin

178 x 176.3 x 124.5 cm (wheel diameter)

FIona Abicare, Look a Like (Lladro) Jessica, 1999/2010

FIona Abicare

Look a Like (Lladro) Jessica, 1999/2010

acrylic polymer, polyurethane base with oils

FIona Abicare, Look a Like (Lladro) Lucinda, 1999/2010

FIona Abicare

Look a Like (Lladro) Lucinda, 1999/2010

acrylic polymer, polyurethane base with oils

Fiona Abicare, Trench, 2014-24

Fiona Abicare

Trench, 2014-24

(in collaboration with
Dharsha Maurice)
Cotton, brass

Dimensions variable

Fiona Abicare, Boulders, 2024

Fiona Abicare

Boulders , 2024

Cast Hydrostone, mineral pigment; Zinc White or Carbon Black

3 parts: 11 x 30 x 17 cm; 15 x 34 x 18 cm; 10 x 15 x 6 cm

FIona Abicare, Supper (share plate), 2025

FIona Abicare

Supper (share plate) , 2025

Acrylic gypsum cement, Titanium White mineral pigment or Carbon Black mineral pigment

32.6 diameter x 3 cm

Fiona Abicare, Centrepiece, 2025

Fiona Abicare

Centrepiece, 2025

M’hanncha with rose, pomegranate and pistachio design by Tom Levick
Acrylic gypsum cement, Zinc White mineral pigment or Brass

3 parts: 5.2 x 4.7 x 2.3 cm each

Fiona Abicare, Rings (cuff & napkin), 2025

Fiona Abicare

Rings (cuff & napkin), 2025

M’hanncha with rose, pomegranate and pistachio design by Tom Levick
Silver or Brass

dimensions variable
SML, MED, L, XL

Fiona Abicare, Serpentine (flatware), 2025

Fiona Abicare

Serpentine (flatware), 2025

Silver, Brass
Brass, Titanium White mineral pigment

45 x 7 x 6 cm each

Fiona Abicare, Late night, early morning (robe), 2025

Fiona Abicare

Late night, early morning (robe), 2025

Japanese cotton
White or Black

All gender, one size

FIona Abicare, Endless, 2026

FIona Abicare

Endless, 2026

Patinated bronze, vanilla white goatskin leather, Forton Modified Gypsum, brass, mineral pigment, varnish, stainless steel fitting

131 x 8 x 8 cm

Edition of 2 plus 1 artist's proof

Rebecca Agnew, Infinite West, 2022

Rebecca Agnew

Infinite West, 2022

High Definition Video
Music composition by Damien Sutton

Duration: 17 mins: 2 secs

Edition of 5 + AP

Rebecca Agnew, Fathom, 2024

Rebecca Agnew

Fathom, 2024

High Definition Video
Duration: 4 mins: 11 secs

Edition of 5 + AP

Badra Aji, No More Dreaming Tonight, 2025

Badra Aji

No More Dreaming Tonight, 2025

Drawings, photographs and
printed materials from personal
archives compiled over 19 of 20
consecutive days

Dimensions variable

Badra Aji, Bertepuk Sebelah Tangan/Unrequited, 2022

Badra Aji

Bertepuk Sebelah Tangan/Unrequited, 2022

HD video

5:14 minutes

Tamsen Hopkinson et al., Whakakore/Whakakite, 2025

Tamsen Hopkinson et al.

Whakakore/Whakakite, 2025

Newsprint
Editorial design: Tamsen Hopkinson, Narrow Gauge et al.

dimensions variable

Ellen Koshland (in collaboration with Jared Amuso, Alphabets and Syntax, 2025

Ellen Koshland (in collaboration with Jared Amuso

Alphabets and Syntax, 2025

Two channel HD video

Grace Anderson, Flash Backroom, 2024

Grace Anderson

Flash Backroom, 2024

Oil and acrylic on canvas

120 x 100 cm

Grace Anderson, Stuff and Stuff (bedside table), 2024

Grace Anderson

Stuff and Stuff (bedside table), 2024

Oil and acrylic on canvas

120 x 152 cm

Grace Anderson, It's a Lullaby, 2024

Grace Anderson

It's a Lullaby, 2024

Oil and acrylic on canvas

120 x 100 cm

Grace Anderson, Apple (My Husband Dine), 2024

Grace Anderson

Apple (My Husband Dine), 2024

Oil and acrylic on canvas

170 x 190 cm

Grace Anderson, Miss Angel-Bunny, 2019

Grace Anderson

Miss Angel-Bunny, 2019

Oil and acrylic paint, glitter

205 x 106 cm

Grace Anderson, Headgear, 2020

Grace Anderson

Headgear, 2020

Oil, acrylic and spray paint on canvas

152 x 200 cm

Tia Ansell, Augusta, 2022

Tia Ansell

Augusta, 2022

Acrylic on cotton and silk handmade weaving, aluminium frame

32 x 22 x 6 cm

Olympia Antoniadis, I search for poppies to feel my sister. When I see roses, I’ll think of you, 2022

Olympia Antoniadis

I search for poppies to feel my sister. When I see roses, I’ll think of you, 2022

Oil on linen

77 x 77 cm

Christian Thompson AO, Being Human Human Being, 2022

Christian Thompson AO

Being Human Human Being, 2022

c-type print on Fuji Metallic paper

four panels: 120 x 120 cm (each)
250 x 250 cm (total dimensions framed)

edition of 4 + 2AP

Christian Thompson AO, Limerence (Flower Wall), 2023

Christian Thompson AO

Limerence (Flower Wall), 2023

C-type print on Fuji Pearl Metallic Paper
Four panels: 120 x 120 cm (each)

250 x 250 cm

Edition of 4 + 2AP

Christian Thompson AO, The Wild Places (Flower Wall), 2021

Christian Thompson AO

The Wild Places (Flower Wall), 2021

C-type print on Fuji Metallic Paper
Four panels: 120 x 120 cm (each)

250 x 250 cm

Edition of 4 + 2 AP

Christian Thompson AO, The Meaning of Fire (Flower Wall), 2021

Christian Thompson AO

The Meaning of Fire (Flower Wall), 2021

C-type print on Fuji Metallic Paper
Four panels: 120 x 120 cm (each)

250 x 250 cm

Edition of 4 + 2 AP

Christian Thompson AO, The Shortest Day (Flower Wall), 2024

Christian Thompson AO

The Shortest Day (Flower Wall), 2024

C-type print on Slickrock Metallic Paper
Four panels: 120 x 120 cm (each)

250 x 250 cm

Edition of 4 plus 2 artist's proofs

Christian Thompson AO, Limerence, 2023

Christian Thompson AO

Limerence, 2023

C-type print on Fuji Pearl Metallic Paper

120 x 120 cm

Edition of 6 plus 2 artist's proofs

Christian Thompson AO, The Wild Places, 2021

Christian Thompson AO

The Wild Places, 2021

C-type print on Fuji Metallic Paper

120 x 120 cm

Edition of 6 + 2 AP

Christian Thompson AO, The Shortest Day, 2024

Christian Thompson AO

The Shortest Day, 2024

C-type print on Slickrock Metallic Pearl Paper

120 x 120 cm

Edition of 4 + 2 AP

Lou Hubbard, Baby-face, 2011

Lou Hubbard

Baby-face, 2011

Acrylic appliance handle, acrylic rattle

13.5 x 45 x 7 cm

Tiyan Baker, mouthbreather, 2024

Tiyan Baker

mouthbreather, 2024

HD digital video

13:09 minutes

Louise Blyton, As Night Time Slows, 2024

Louise Blyton

As Night Time Slows, 2024

Acrylic on linen, lead weighted

25 x 30 cm

Louise Blyton, Cloudless, 2024

Louise Blyton

Cloudless, 2024

Acrylic on linen

36 x 53 x 33 cm

Louise Blyton, Circular Soul, 2020

Louise Blyton

Circular Soul, 2020

Acrylic on linen

20 x 20 x 5cm

Louise Blyton, Dualism, 2020

Louise Blyton

Dualism, 2020

Acrylic on linen

40 x 70 x 10 cm

Louise Blyton, Eclipse, 2024

Louise Blyton

Eclipse, 2024

Acrylic on linen

32 x 30 x 5 cm

Louise Blyton, Lullaby, 2020

Louise Blyton

Lullaby, 2020

Acrylic on linen

170 x 268 cm

Louise Blyton, Magenta Gnomon, 2024

Louise Blyton

Magenta Gnomon, 2024

Acrylic on linen

10 x 80 x 12 cm

Louise Blyton, Summer of Yesteryear, 2023

Louise Blyton

Summer of Yesteryear, 2023

Acrylic on linen

30 x 40 x 7 cm

Louise Blyton, Travel with me, 2022

Louise Blyton

Travel with me, 2022

Acrylic on linen

46 x 61 cm

Louise Blyton, Yellow Gnomon, 2020

Louise Blyton

Yellow Gnomon, 2020

Acrylic on linen

5 x 33 x 8 cm

Louise Blyton, Sing Songing, 2024

Louise Blyton

Sing Songing, 2024

Acrylic on linen

139 x 22 x 7 cm

Louise Blyton, Midsummer, 2024

Louise Blyton

Midsummer, 2024

Acrylic on linen

90 x 33 x 18 cm

Louise Blyton, Sun Dial (series), 2020

Louise Blyton

Sun Dial (series), 2020

Acrylic on linen

74 x 5 x 10 cm

Louise Blyton, Swooning Moon, 2022

Louise Blyton

Swooning Moon, 2022

Acrylic on linen

90 x 90 cm

Louise Blyton, These Walls My Sphere, 2022

Louise Blyton

These Walls My Sphere, 2022

Acrylic on linen

71 x 36 x 10 cm

Danielle Brustman, Will I ever? vanity, 2021

Danielle Brustman

Will I ever? vanity, 2021

Oil paint on American oak veneered on ply, powder coated steel legs, mirror

168 x 186 x 40 cm

Jon Campbell, Your hand in mine (for KD), 2022

Jon Campbell

Your hand in mine (for KD), 2022

Acrylic paint on cotton

45 x 25 cm
Courtesy of Darren Knight Gallery, Sydney

Nadine Christensen, Outside Painting, 2020

Nadine Christensen

Outside Painting, 2020

acrylic on sustainably farmed hoop pine with cedar

120 x 150 cm

Nadine Christensen, Untitled (Orange), 2020

Nadine Christensen

Untitled (Orange), 2020

acrylic and smoke on sustainably farmed hoop pine with cedar

150 x 120 cm

Nadine Christensen, Putting Things Away, 2017

Nadine Christensen

Putting Things Away, 2017

Acrylic on board, Australian hardwood tray frames with beeswax finish

35 cm x 28.5 cm

Nadine Christensen, Two doorbells, 2019-20

Nadine Christensen

Two doorbells, 2019-20

Acrylic on board, Australian hardwood tray frame, beeswax finish

35 x 28.5 cm

Nadine Christensen, Patch it up, 2017

Nadine Christensen

Patch it up, 2017

Acrylic on board, Australian hardwood tray frame with beeswax finish

35.5 cm x 25.5 cm

Nadine Christensen, Running (cord hanging, painting on reverse), 2018

Nadine Christensen

Running (cord hanging, painting on reverse), 2018

Acrylic on canvas board, Australian hardwood tray frame with beeswax finish

25.5 cm x 20 cm

Nadine Christensen, Fence patches, 2018

Nadine Christensen

Fence patches, 2018

Acrylic on canvas board, Australian hardwood tray frame with beeswax finish

25.5 cm x 20 cm

Nadine Christensen, Untitled (purple background), 2017

Nadine Christensen

Untitled (purple background), 2017

Acrylic on canvas, Australian hardwood tray frame with beeswax finish

14.5 cm x 21 cm

Nadine Christensen, Cord arrangement, 2016-17

Nadine Christensen

Cord arrangement, 2016-17

Acrylic on canvas, Australian hardwood tray frame, beeswax finish

14.5 x 20.5 cm

Nadine Christensen, Paintings on a bed, 2019

Nadine Christensen

Paintings on a bed, 2019

Acrylic on canvas, Australian hardwood tray frame with beeswax finish

28 cm x 35.5 cm

Nadine Christensen, Comfort food, 2022

Nadine Christensen

Comfort food, 2022

Acrylic on canvas board

13 cm x 18 cm

Nadine Christensen, Keeping your head above water, 2022

Nadine Christensen

Keeping your head above water, 2022

Acrylic on canvas board, Australian hardwood tray frame with beeswax finish

18 cm x 13 cm

Nadine Christensen, House Work, 2017

Nadine Christensen

House Work, 2017

Acrylic on canvas board, Australian hardwood tray frame, beeswax finish

22.5 x 30.5 cm

Nadine Christensen, Light pink cut out, oblique angle, 2017

Nadine Christensen

Light pink cut out, oblique angle, 2017

Acrylic on wood, Australian hand wood frame, beeswax

30.5 cm x 28.5 cm

Nadine Christensen, On a fence, 2021

Nadine Christensen

On a fence, 2021

Acrylic on board, Australian hardwood tray frame with beeswax finish

20 cm x 25 cm

Nadine Christensen, Home truths, 2017

Nadine Christensen

Home truths, 2017

Acrylic on canvas (framed)

25 x 35.5 cm

Nadine Christensen, Untitled, 2020

Nadine Christensen

Untitled, 2020

Acrylic on canvas, Australian hardwood tray frame with beeswax finish

20.5 cm x 25.5 cm

Nadine Christensen, Cut out, 2018

Nadine Christensen

Cut out, 2018

Acrylic on canvas board , Australian hardwood tray frame with beeswax finish

20 cm x 25 cm

Nadine Christensen, Nah Can’t, 2018

Nadine Christensen

Nah Can’t, 2018

Acrylic on canvas, Australian hardwood frame, beeswax

20 cm x 25 cm

Nadine Christensen, usususus, 2020

Nadine Christensen

usususus, 2020

Acrylic on canvas, Australian hardwood tray frame with beeswax finish

28 cm x 35.5 cm

Nadine Christensen, Untitled, 2019

Nadine Christensen

Untitled, 2019

Acrylic on wood, Australian hardwood tray frame with beeswax finish

24 cm x 24 cm

Nadine Christensen, Glasses, 2018

Nadine Christensen

Glasses, 2018

Acrylic on canvas board , Australian hardwood tray frame with beeswax finish

20 cm x 25 cm

Nadine Christensen, Untitled (hand), 2017

Nadine Christensen

Untitled (hand), 2017

Acrylic on canvas board, Australian Handwood frame, beeswax finish

21 cm x 26 cm